Art - The Times
Going out or staying in? The best things to do this weekREVIEWFIRST NIGHTWilliam Morris and the Pre-Raphaelites — so much beauty, it’s exhaustingREVIEWWALDEMAR JANUSZCZAK ON ARTI keep trying to forgive the pre-Raphaelites — but it’s just sentimental toshFIRST NIGHTThis Lowry blockbuster will convert any remaining scepticsPeter Brookes: Here’s how to make the perfect cartoonREVIEWFIRST NIGHTHokusai’s views of Mount Fuji have been brought together — it’s stunningSPECTRUML’Afrique, c’est chic: pictures from a unique 1960s photo studioREVIEWWALDEMAR JANUSZCZAK ON ARTMr Unabomber, can I share your bunker with you?FIRST NIGHTThis Lowry blockbuster will convert any remaining scepticsFIRST NIGHTThis Lowry blockbuster will convert any remaining scepticsPeter Brookes: Here’s how to make the perfect cartoonPeter Brookes: Here’s how to make the perfect cartoonREVIEWFIRST NIGHTHokusai’s views of Mount Fuji have been brought together — it’s stunningREVIEWFIRST NIGHTHokusai’s views of Mount Fuji have been brought together — it’s stunningSPECTRUML’Afrique, c’est chic: pictures from a unique 1960s photo studioSPECTRUML’Afrique, c’est chic: pictures from a unique 1960s photo studioREVIEWWALDEMAR JANUSZCZAK ON ARTMr Unabomber, can I share your bunker with you?REVIEWWALDEMAR JANUSZCZAK ON ARTMr Unabomber, can I share your bunker with you?Van Eyck: The Portraits will be a once-in-a-century exhibitionThe National Gallery’s Van Eyck show will bring together the artist’s ten surviving portraits for the first time
Going out or staying in? The best things to do this weekREVIEWFIRST NIGHTWilliam Morris and the Pre-Raphaelites — so much beauty, it’s exhaustingGoing out or staying in? The best things to do this weekREVIEWFIRST NIGHTWilliam Morris and the Pre-Raphaelites — so much beauty, it’s exhaustingREVIEWWALDEMAR JANUSZCZAK ON ARTI keep trying to forgive the pre-Raphaelites — but it’s just sentimental toshFIRST NIGHTThis Lowry blockbuster will convert any remaining scepticsPeter Brookes: Here’s how to make the perfect cartoonREVIEWFIRST NIGHTHokusai’s views of Mount Fuji have been brought together — it’s stunningSPECTRUML’Afrique, c’est chic: pictures from a unique 1960s photo studioREVIEWWALDEMAR JANUSZCZAK ON ARTMr Unabomber, can I share your bunker with you?REVIEWWALDEMAR JANUSZCZAK ON ARTI keep trying to forgive the pre-Raphaelites — but it’s just sentimental toshFIRST NIGHTThis Lowry blockbuster will convert any remaining scepticsPeter Brookes: Here’s how to make the perfect cartoonREVIEWFIRST NIGHTHokusai’s views of Mount Fuji have been brought together — it’s stunningSPECTRUML’Afrique, c’est chic: pictures from a unique 1960s photo studioREVIEWWALDEMAR JANUSZCZAK ON ARTMr Unabomber, can I share your bunker with you? PhotographyARCHIVE PHOTOGRAPHYHow Churchill’s death led to The Times’s first front-page pictureQueues of mourners, photographers scaling scaffolding — the death of a wartime leader is captured in fascinating detail in these archive images
RICHARD MORRISONThe Tories want to cut £1bn from the culture budget. The sums don’t add upTo reach their target for building new prisons they would need to withdraw subsidy from many big, mainstream organisations — such as the Royal Shakespeare Company
Inside Frieze art fair: would you like a £1m dinosaur skull with your Emin?Frieze London and Frieze Masters have kicked off with big sales, new star names and a few jitters about the autumn budget
Has Tate Modern’s Turbine Hall had its day?The gallery has one of the world’s great public art spaces, so why have recent installations — including Tarek Atoui’s newly unveiled Hold — been such a flop?
GABRIELLA BENNETTWhy are universities closing their most AI-resistant courses?I’m baffled by the Edinburgh College of Art’s decision to cut craft-based training when making things seems more important than ever
In the Nineties I partied like Kate Moss. The Tate can’t replicate thatThe art gallery is celebrating the decade with a fashionable exhibition, but it won’t capture the wild antics I enjoyed
The designer Es Devlin is having a ball at the British MuseumShe has worked with Adele and Beyoncé and on shows from the Olympics to the Super Bowl. For her latest trick, the artist is masterminding the most glamorous party in London
The gallery has one of the world’s great public art spaces, so why have recent installations — including Tarek Atoui’s newly unveiled Hold — been such a flop?
She has worked with Adele and Beyoncé and on shows from the Olympics to the Super Bowl. For her latest trick, the artist is masterminding the most glamorous party in London
